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About

An Italian pianist and composer based in Switzerland, Lorenzo Meo moves between the classical tradition and the expressive frontiers of contemporary music. His pianistic language, recognisable for its intensity and clarity, takes shape in a timbral and interpretive exploration that avoids conventional solutions, in a personal synthesis of formal complexity and expressive depth.

His repertoire ranges from Baroque and Classical music to new music, with particular dedication to twenty-first-century composers, frequently the dedicatee of their world premieres. He made his debut as soloist with Rachmaninov's Piano Concerto No. 2 and Mozart's K. 491. He has performed at Carnegie Hall in New York, the Sala Santa Cecilia of the Auditorium Parco della Musica and the Palazzo del Quirinale in Rome, the Teatro Comunale in Bologna, the Auditorium de la Cité de la musique in Strasbourg, the National Philharmonic in Lviv, and the Mystetskyi Arsenal in Kyiv.

His discography includes works by Jaan Rääts, whose Piano Concertos No. 2 and No. 3 he premiered in Italy and the United States, as well as music by Erkki-Sven Tüür, Arnold Schoenberg, Toru Takemitsu, Sergei Rachmaninov, Erik Satie and several living composers. With violinist Anastasiya Petryshak, with whom he has collaborated regularly since 2014, he recently recorded an album of music by Debussy, Ravel and Messiaen, released by Sony Music.

As a composer he has developed a neoclassical, minimalist-rooted language. It is a music that rejects ostentatious complexity and seeks a direct relationship with the listener, while carrying the traces of a classical and avant-garde formation. Micropolyphonic textures, modal sensibilities, synaesthetic timbres are woven into suspended pages, built upon subtle nuances and active silences, where the neoclassical framework is crossed by polystylistic incursions, memories of different eras resurfacing in the writing. A stillness that is never inertia: it can break, in passages of disruptive intensity, always out of inner necessity, never in pursuit of effect.

Lorenzo Meo trained at the G.B. Martini Conservatory in Bologna, later perfecting his skills as soloist, chamber musician and composer at the Accademia Nazionale di Santa Cecilia in Rome and the Zürcher Hochschule der Künste (ZHdK), and with masters including Konstantin Bogino, Boris Bekhterev, Paul Badura-Skoda and Paolo Bordoni.

Portrait of pianist and composer Lorenzo Meo
20+
Years on stage
19
Albums
11
Countries
33
Compositions
Press

Despite its dense schedule, the 'Night of Art Arsenal' will be remembered primarily for the virtuoso piano performance of Lorenzo Meo.

Katya Krolevska, Poltavshchyna magazine

His performance is notable for its energy and loose-limbed athleticism. The sound is clean and vibrant with a good sense of presence.

Stephen Eddins, AllMusic magazine

Lorenzo Meo has recently recorded Raats' brilliant Sonata along with the cycle of his 24 piano marginalia [...] but solid monographic evenings of other important 20th century figures are on his plate too: only Schoenberg, or only John Adams, or only Takemitsu (please mind that Meo's multipage repertoire starts with Bach!)

Maria Khrapachova, Capital Magazine

[Lorenzo Meo]: a deep line across his face, a faint smile that breaks through his professional composure, revealing emotion, virtuosity, passion. Three pieces making up a programme of great interest, varied in style and form.

Giulio Solzi Gaboardi, La Provincia
Journey
2002
Concerto Debut
Chioggia Festival Symphony Orchestra

Debut season as soloist, performing Rachmaninov's Piano Concerto No. 2 and Mozart's K. 491.

2005
Album - "Boundaries"
Piano works by Jaan Rääts

First recording devoted to Estonian composer Jaan Rääts, a landmark in the international dissemination of Baltic contemporary music.

Recording
2009
Album - "The E.P.M. Project"
Piano works by Errki-Sven Tüür and Jaan Rääts

Second recording devoted to Estonian contemporary music, featuring works by Erkki-Sven Tüür and Jaan Rääts.

Recording
2012
New York premiere
Jaan Rääts, Piano Concerto No. 2

American premiere with the NYCP Orchestra at Liederkranz Hall.

2014
"Femminile Plurale"
Lviv National Philharmonic

Launch of a concert project dedicated to music by living women composers, addressing their underrepresentation in contemporary music programming well before the conversation entered the mainstream.

Project
2016
Based in Zürich
Switzerland

Relocates to Zürich, establishing a new base at the heart of Europe's cultural geography.

2023
"Angel Terrible"
with Anastasiya Petryshak · Sony Music

Album for violin and piano featuring works by Debussy, Ravel and Messiaen, released by Sony Music.

Recording
2023
Carnegie Hall - Weill Recital Hall
New York

Performance as soloist with orchestra at one of the world's most prestigious concert halls.

2024
"Three Piano Pieces"
Release and recording of a new piano cycle

A cycle of short piano pieces marking a departure from the language of earlier works toward a freer, more personal compositional voice.

Recording
2026
International Tour
Vienna · Washington DC · New York · Hamburg

Performances at the Bösendorfer Hall (Mozarthaus Vienna), the Italian Embassy in Washington DC, the Italian Cultural Institute in New York, and Hamburg.