An Italian pianist and composer based in Switzerland, Lorenzo Meo moves between the classical tradition and the expressive frontiers of contemporary music. His pianistic language, recognisable for its intensity and clarity, takes shape in a timbral and interpretive exploration that avoids conventional solutions, in a personal synthesis of formal complexity and expressive depth.
His repertoire ranges from Baroque and Classical music to new music, with particular dedication to twenty-first-century composers, frequently the dedicatee of their world premieres. He made his debut as soloist with Rachmaninov's Piano Concerto No. 2 and Mozart's K. 491. He has performed at Carnegie Hall in New York, the Sala Santa Cecilia of the Auditorium Parco della Musica and the Palazzo del Quirinale in Rome, the Teatro Comunale in Bologna, the Auditorium de la Cité de la musique in Strasbourg, the National Philharmonic in Lviv, and the Mystetskyi Arsenal in Kyiv.
His discography includes works by Jaan Rääts, whose Piano Concertos No. 2 and No. 3 he premiered in Italy and the United States, as well as music by Erkki-Sven Tüür, Arnold Schoenberg, Toru Takemitsu, Sergei Rachmaninov, Erik Satie and several living composers. With violinist Anastasiya Petryshak, with whom he has collaborated regularly since 2014, he recently recorded an album of music by Debussy, Ravel and Messiaen, released by Sony Music.
As a composer he has developed a neoclassical, minimalist-rooted language. It is a music that rejects ostentatious complexity and seeks a direct relationship with the listener, while carrying the traces of a classical and avant-garde formation. Micropolyphonic textures, modal sensibilities, synaesthetic timbres are woven into suspended pages, built upon subtle nuances and active silences, where the neoclassical framework is crossed by polystylistic incursions, memories of different eras resurfacing in the writing. A stillness that is never inertia: it can break, in passages of disruptive intensity, always out of inner necessity, never in pursuit of effect.
Lorenzo Meo trained at the G.B. Martini Conservatory in Bologna, later perfecting his skills as soloist, chamber musician and composer at the Accademia Nazionale di Santa Cecilia in Rome and the Zürcher Hochschule der Künste (ZHdK), and with masters including Konstantin Bogino, Boris Bekhterev, Paul Badura-Skoda and Paolo Bordoni.

Despite its dense schedule, the 'Night of Art Arsenal' will be remembered primarily for the virtuoso piano performance of Lorenzo Meo.
— Katya Krolevska, Poltavshchyna magazineHis performance is notable for its energy and loose-limbed athleticism. The sound is clean and vibrant with a good sense of presence.
— Stephen Eddins, AllMusic magazineLorenzo Meo has recently recorded Raats' brilliant Sonata along with the cycle of his 24 piano marginalia [...] but solid monographic evenings of other important 20th century figures are on his plate too: only Schoenberg, or only John Adams, or only Takemitsu (please mind that Meo's multipage repertoire starts with Bach!)
— Maria Khrapachova, Capital Magazine[Lorenzo Meo]: a deep line across his face, a faint smile that breaks through his professional composure, revealing emotion, virtuosity, passion. Three pieces making up a programme of great interest, varied in style and form.
— Giulio Solzi Gaboardi, La ProvinciaDebut season as soloist, performing Rachmaninov's Piano Concerto No. 2 and Mozart's K. 491.
First recording devoted to Estonian composer Jaan Rääts, a landmark in the international dissemination of Baltic contemporary music.
RecordingSecond recording devoted to Estonian contemporary music, featuring works by Erkki-Sven Tüür and Jaan Rääts.
RecordingAmerican premiere with the NYCP Orchestra at Liederkranz Hall.
Launch of a concert project dedicated to music by living women composers, addressing their underrepresentation in contemporary music programming well before the conversation entered the mainstream.
ProjectRelocates to Zürich, establishing a new base at the heart of Europe's cultural geography.
Album for violin and piano featuring works by Debussy, Ravel and Messiaen, released by Sony Music.
RecordingPerformance as soloist with orchestra at one of the world's most prestigious concert halls.
A cycle of short piano pieces marking a departure from the language of earlier works toward a freer, more personal compositional voice.
RecordingPerformances at the Bösendorfer Hall (Mozarthaus Vienna), the Italian Embassy in Washington DC, the Italian Cultural Institute in New York, and Hamburg.
